Las óleos de todo Theodore Gericault


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ID Image  Painting (From A to Z)       Details 
21750  
Theodore   Gericault, The Raft of the Medusa (mk10)
 
 The Raft of the Medusa (mk10)   1st sketch 1816 Oil on canvas 37.5 x 46 cm Paris,musee du Louvre
21752  
Theodore   Gericault, The Raft of the Medusa (mk10)
 
 The Raft of the Medusa (mk10)   2nd sketch 1816 Oil on canvas,65 x 83 cm Paris,Musee du Louvre
21759  
Theodore   Gericault, The Raft of the Medusa (mk10)
 
 The Raft of the Medusa (mk10)   1819,Oil on canvas, 491 x 716 cm Paris,musee du Louvre
21313  
Theodore   Gericault, The Raft of the Medusa (sketch) (mk09)
 
 The Raft of the Medusa (sketch) (mk09)   C 1818/19 Oil on canvas 65 x 83 cm Paris,Musee National du Louvre
20872  
Theodore   Gericault, The Woman with Gambling Mania (mk05)
 
 The Woman with Gambling Mania (mk05)   Canvas 30 1/4 x 25 1/2''(77 x 65 cm)Given in 1938 R.F 1938-51 (S/AR)
69511  
Theodore   Gericault, thomas, cenone refuse de secourir paris
 
 thomas, cenone refuse de secourir paris   se
69493  
Theodore   Gericault, trompette de hussards
 
 trompette de hussards   se
69494  
Theodore   Gericault, trompette de hussards
 
 trompette de hussards   se
69495  
Theodore   Gericault, trompette de hussards
 
 trompette de hussards   se
69491  
Theodore   Gericault, trompette de lanciers
 
 trompette de lanciers   se
69512  
Theodore   Gericault, vue de tivoli
 
 vue de tivoli   se
72980  
Theodore   Gericault, Wounded Cuirassier
 
 Wounded Cuirassier   Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf

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Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.



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